Massive Networks Of Stripes Appear In Chinese Desert (from SlashGear)

Talk about your morning weird. Some people studying Google Earth for some reason managed to run across some very weird patterns in the Chinese desert that have a bunch of folks stumped. The patterns look like stripes that were etched or dug over the top of the landscape in the area. Some of the lines appear to be made from a silver/white material.

Considering these can clearly be seen from orbit the formations are raising some eyebrows with geeks trying to figure out what exactly they are for. Are these some sort of alignment or targeting grids for space weapons or what? In one of the photos, you can clearly see a grid of structures with three of them either destroyed or partially standing as if they were for target practice.

The strangest one is the intersecting grids lines; the structure covers 18 miles of space. The other pattern that looks like some sort of targeting grid is set up with concentric rings of what appear to be structures with straight spokes radiating out from the center. There are aircraft placed in the center of this circle. I have no idea what it is, but it reminds me of how the military would test the blast radius of some sort of bomb to see what the damage is like further out from the point of impact. What do you think? Is this a military testing ground or the Chinese equivalent of crop circles?

 

NOTE:  Some interesting points of visual comparison follow below:

Jasper Johns, Between The Clock and The Bed, 1982-3.

Walter de Maria, Line In Tula Desert, 1969.

Jasper Johns, Flag (Detail), 1957.

Maximal/Minimal

Socialist-Revolutionary Party election poster, 1917

        Until recently I was entirely unaware of the word and concept "maximalism".   Lately, however, I have heard it used more and more, especially in remarks made in the course of and news reporting concerning contemporary U.S. politics.  I became curious about its origin and through dictionary and encyclopedia research I found that the term actually originated in early 20th century Russia,  its first known use occurring in connection with the Party of Socialist Revolutionaries in 1906. (Please see discussion in I(a) below.)  Maximalism has since been adopted by successor fringe political movements (please see I(b) below), in mathematics (especially in connection with order theory), in the arts and aesthetics (e.g., music, literature, visual arts), and even in theology.  

        Although over 100 years old, the term "maximalism" (usually appearing in the form "maximallist" or "maximal") continues (to my ears at least) to have the grating sound of neologism. Whenever I hear the word used, the speaker seems to change his or her facial expression, a large "thought balloon" appearing behind them, bearing the legend: 

"Look at me -- I just said 'Maximalist'"[1]

 I.    Maximalism
 

      (a)  The Party of Socialists-Revolutionaries (PSR, the SRs, or Esers; Russian: Партия социалистов-революционеров (ПСР), эсеры) was a major political party in early 20th century Russia and a key player in the Russian Revolution. After the February Revolution of 1917 it shared power with other liberal and democratic socialist forces within the Russian Provisional Government. In November 1917, it won the majority of the national vote in Russia's first-ever democratic elections (to the Russian Constituent Assembly), but soon split and was defeated and destroyed by the Bolsheviks in the course of the Russian Civil War and subsequent persecution.

        

             The "Union of Socialists-Revolutionaries Maximalists", a radical faction within the PSR, united agrarian terrorists, the 'Moscow Opposition' and other radical dissidents from the PSR in an independent party. The Maximalists officially split off from the PSR at its Second Congress in Imatra in 1906. Maximalists played a role in both the Revolution of 1905 and the Revolution of 1917. Many former SR Maximalists eventually joined the Russian Communist Party (Bolshevik).

           The SR Maximalists held a favorable view of terror and expropriation were often compared to anarchists, with whom they shared a fondness for 'propaganda by the deed' and 'direct action'. They were not opposed to the concept of the state as such and envisaged a popular revolutionary dictatorship. They rejected parliamentary democracy as a mere 'lighnin rod of popular discontent'.

 

      (b)  Abba Ahimeir (Hebrew: אב"א אחימאיר‎, 2 November 1897 - 6 June 1962) was a Jewish journalist, historian and political activist. One of the ideologues of Revisionist Zionism, he was the founder of the self-described "fascist" Revisionist Maximalist faction of the Zionist Revisionist Movement (ZRM) and of the clandestine Brit HaBirionim, which had a profound influence on the ideology of the Irgun and Lehi undergrounds.  There is inadequate space in this brief post to discuss Ahimeir's views and writings, which remain controversial, in detail.  Ahimeir's strong resemblance to silent-movie era superstar comedian Harold Lloyd is hereby noted.



II. Minimalism
 

Donald Judd, Untitled, 1969/82

Walter de Maria, Vertical Earth Kilometer, 1977

Robert Morris, Box With The Sound Of Its Own Making, 1961

Carl Andre, Sum Roma, 1997

Robert Smithson, Spiral Jetty, 1970

 Walter de Maria, Lightning Field, 1977

[1]  Look At Me, I'm Wonderful, The Bonzo Dog Band, 1969 (from Kenysham) (Click link above or HERE)