The woman
in the lower left hand corner was not in the original negative but is in the
final photo. No one knows her identity. (From the El Paso High School public
pictures; excerpted from BorderZine.)
"Signals
do not convey
information as railway trains carry coal. Rather we should say: signals have an
information content by virtue of their potential for making selections. Signals operate upon the
alternatives
forming the recipients' doubt. They give power to discriminate amongst or select
from
alternatives."
-- Sir Colin Cherry, On The Statistical Theory of
Communication.
With terrible
predictability, reactions in the media
and online to the Elliot Rodger murders in Santa Barbara have reverted to “meditations on a hobbyhorse” fuzzy thinking and
tragic, self-absorbed ranting.
Pundits, poets, and
professional scolds and defamers have taken to passionate
forcing
of their square peg political and
cultural views into what seems to be the round
hole reality of Rodger's organic madness.

Which is to say, the
self-involved, self-regarding, but sane seem disinclined to recognize that Rodger
wasn’t, and want to join and unite his
parents, his fantasy childhood girlfriends, the appalling (but still legal) Hunger
Games franchise, and the best hobbyhorse of all, “America,” in the fetid
bathwater of collective (expressly excluding themselves) guilt.
When I worked as a very junior Assistant District Attorney in Brooklyn a long time ago, I
rarely heard about unsolved crimes. There must have been some, but the crimes I handled
generally involved someone “caught in the act” as in the Rodger case. The “spontaneous exclamations” recorded by the police at the time of
arrest conveyed specific statements
(usually, but not always, rational) of purpose, e.g., "I needed the money,”
“She burned the steak,” “I’m a dumb fuck.” Elliot Rodger explained himself
over and over. Read "My Twisted Mind: The Story of Elliot Rodger by Elliot Rodger." Look at
the YouTube videos.
In high schools and
colleges today, we are constantly assaulted by the use of the
pretentious expression “critical reading.” I think Elliot Rodger provided us more than enough material to
elucidate
his mad act. It’s time to drill down on the
basic text and not drag in the wheezy, sleazy Pseud's Corner bibliographical references and
glosses.

1986
Graduating class - The girl in white, center, was not in the original negative but is in
the developed photo. No one knows who she is. (From the El Paso High School public
pictures; excerpted from BorderZine)
Mott The Hoople: When My
Mind's Gone (Link)