Mood 2 (Feeling This Way)

  


There's not a lot to say
When you're feeling this way
And you don't listen Anyway
You've got your own problems.

Listen to me Just this time
It's something yours & It's something mine
We must be close to the end of the line:
Let's try and get there together.

She said you have to learn 
(She said, she said)
To find somewhere outside of your head
I said that would be fine (I said)
But I'd rather be with You instead.

'Cause when you're up, they'll love you to death
& when you're down, they'll steal your last breath
They say goodbye, You say hello:
Ask how you're doing
You just don't know.

There's not a lot to say
When you're feeling this way
And you don't listen Anyway
You've got your own problems.


Kevin Ayers: Feeling This Way (link)

NOTE:  Feeling This Way, the first song on Still Life With Guitar, is a little masterpiece, not a word or note out of time or place (although the song's protagonist is clearly a man excised from both dimensions). 

Mornings I torture myself watching segments of “Limousine Liberal Joe” (aka "Lord Haw-Haw's Return") featuring the most important person ever to serve in the United States Congress, his  brassy ball & chain, and their replicant/revenant brood of liars, sneaks, cheats, bores and boors.  I think I do this to remind myself that for so long as the cliché catechism repeats and recycles ad nauseum, on schedule, it proves I Still Exist.  I wonder what non-New Yorkers make of the broadcast.  I know what the broadcasters make of non-New Yorkers.

I’m about to miss the Zbigniew Brzezinski/Al Sharpton cooking segment.  I think you'll like the song. Excuse me.

Mood 1 (link)

 

IN YOUTH IS PLEASURE

   
    
    “Where would you like to have lunch?” Mr Pym asked suddenly.  “It’s your last day, so choose anywhere you’d like.”


     “I should like to go to the Ritz Hotel; I’ve never been there,” said Orvil sharply.  He tried to concentrate his whole mind on having lunch at the Ritz.  He thought that he might bear the day a little better if he shut his mind to everything else.


               Ben, who had been to the Ritz, would like to have gone somewhere a little more adventurous and experimental, but he saw how determined Orvil was and gave in to him willingly.  He never minded falling in with other people’s plans.


              They stopped outside the Piccadilly entrance, and after Mr Pym had taken them up to the cloakroom to wash, he ordered them both dry martini cocktails, instead of plain orange or tomato juice.  Orvil ate three black olives and put salted almonds one after another into his mouth.

         In spite of all these efforts, he could not stop thinking about school:  the iron beds like black enameled skeletons, the meat-red horse blankets in the Sanatorium, the masters with a snow of scurf on the shoulders of their ancient gowns, the rather grotesque beauty of the mid-Victorian stained glass in the great hall.


         Everything had a demonish quality of unreality, a sort of paste-board attempt at horror.  


        He tried to think of sober things:  the mealy boiled potatoes at lunch, the one surviving arch of the ruined priory gatehouse, the empty swimming bath in winter where the dead leaves chased each other.  

     
      But the bizarre things won;  they trampled the others under foot and seemed to grow in extravagance.  


      Across the valley, Orvil heard the trains shunting.  It was midnight; he was lying in his bed at school.  The whistles blew faintly.  He heard the clash of the couplings.



NOTE:  This passage from Denton Welch's 1944 novel "In Youth Is Pleasure" reminds me of a great many things, including my own experiences and feelings about life while attending a traditional boarding school in New England, being filled with stirred-up daily and deep-into-the-night thoughts, and lying on those awful metal beds.   

And for some reason -- perhaps because her teenagers are currently at boarding school; perhaps because the news accounts make me wonder how she must have felt growing up and finding youthful aspirations turning into dark adult reality -- it makes me think about the tragic death of Mary Richardson Kennedy last week.  

Jane often says to me jokingly, as if she's interviewing me:  

"So Dad, tell me about your hopes and dreams."  

I never get past being on the verge of an answer I never speak.