Showing posts with label Francis Picabia. Show all posts
Showing posts with label Francis Picabia. Show all posts

Saturday, January 26, 2013

SEMBLING






  About ten minutes later we came into a thoroughfare very closely resembling our own Oxford Street,  and something told me we were in the centre of the town, and that it would be advisable for me to get off the bus.  I was trying to make up my mind , looking out of the window at each stop, when all at once something happened, or rather I saw something, which nearly shot me out of my seat.

     The gloriously pretty girl who so fascinated me upon entering, had moved over to a seat opposite to me, and had been looking out of the window, so that I could only see her profile.  She now turned and looked at me and I saw her full face for the first time.

     I do not know how to express the macabre horror of what I sawIt was not one face, but two faces in one !   A straight firm dividing line came down from the middle of the forehead, through the nose, to the chin and it seemed that each half of her face belonged to a different person !







Text:  Excerpt from Patrick Hamilton (1904-1962), Impromptu In Moribundia.


Images:  First, Laura Gilpin (1891-1979), Untitled;  Second, Francis Picabia (1879-1953), Portrait of Olga.
 

Sunday, January 1, 2012

A Very Long Shortcut









     I have loved and been moved by this painting and the Marcel Duchamp pun that is the basis for its title ever since EVER SINCE.   

    (That expression sounds vaguely Bob Marley-esque to me and I'm pleased to employ it on New Year's Day.  Miss you a lot, Bob.)  

    Simple-seeming, almost crude, M’Amenez-Y (the painting) conveys to me concentrated mystery, charm, mirth and some romance.  (If you know me, you’ll recognize that I score higher on the “mystery sensitivity scale” than on any of the others, where I’m basically clueless.)  

    Francis Picabia’s painting is quietly lively, unforced, unpretentious and, in an untraditional way (like other Picabia works), highly original and masterful.  

   I think it would have been great to have met and known Francis Picabia.  If you like this, as I hope you do, possibly you'll like THIS also.  

    In 2012, I will try to complain less and I hope I will have less to complain about.  Happy New Year!



Francis Picabia, M'Amenez-Y, 1919-20, Museum of Modern Art, New York