Showing posts with label Albrecht Dürer. Show all posts
Showing posts with label Albrecht Dürer. Show all posts

Wednesday, May 23, 2012

Reasons To Be Cheerful ! ! : Exciting Dürer News In Nuremberg ! ! (From ArtDaily.org)







NUREMBERG.- The Germanisches Nationalmuseum is presenting the early work of the most famous German artist. 51 lenders from 12 countries sent 120 of Dürer’s most important works to Nuremberg.   The exhibition spans Dürer’s creative period until 1505 when he set off on his second Venetian journey. The oldest work is from 1484 – Self-Portrait from the Albertina in Vienna – and the latest from 1504 – Adoration of the Magi from the Uffizi in Florence. The most outstanding works from Dürer’s early years are here brought together: his selfportraits and portraits of his family and friends, his ambitious nature studies and dramatic narratives, recorded in freely executed drawings and sumptuous panel paintings. Dürer may be experienced as painter and draughtsman as well as designer for craftwork and glass painting in a unique way. 

Full Article HERE.




  


Albrecht Dürer, Self-Portrait, 1484, Silverpoint, Albertina, Vienna









Albrecht Dürer, Adoration of the Magi, 1504, Oil on panel, The Uffizi, Florence









Albrecht Dürer, The Large Turf, 1503, Gouache and watercolor on paper, Albertina, Vienna

Thursday, May 10, 2012

Something In Between








To say that things happen in time means in part that they happen in a certain order.  To say that things are located in space implies that they have a certain position vis-à-vis each other.






The following statements all refer to temporal and spatial relations:

(          (1) The abdication occurred between the two world wars.
            (2) The Napoleonic wars were followed by a period of relative calm.
(          (3) Belgium is east of England and north of France. 
            (4) The table stands between the chair and the window.






With respect to time, some of the basic relations are simultaneous, before,  and between.   Whether this list is essentially complete, or perhaps redundant in some respects, are questions that we shall not try to answer at this point.  (The answers may seem obvious to the reader now, but that impression may change as we follow the history of the problem.)  At least, a theory of time must give an account of these relations and thus explicate such common assertions as (1) and (2).








     With respect to space, it is not easy to make even a plausible preliminary list of basic relations.  It is hard to believe that such relations as north of and east of – though they are clearly spatial relations – can be in any way basic to the subject.  For these relations concern entities on the earth primarily; we may say that Polaris is north of any point on earth, because a sighting of Polaris indicates the northerly direction.  But this seems already to some extent an analogical extension of the term “north,” and it would certainly not make obvious sense to ask whether Polaris is north of the sun or the star Alpha Centauri.  Moreover, is Asia Minor east or west of North America?  The relation between of example (4),  however, is not subject to these restrictions and ambiguities.  Thus, a theory of space must at least give an account of the spatial betweenness  relation.







Now, relations give rise to order.


Text:  Bas C. van Fraassen, An Introduction to the Philosophy of Time and Space, New York,  Random House, 1970, pp. 3-4.

Illustrations: (1)  Sara Rubinow, They All Agreed Something Was Missing, 2010; (2) Dolphin pod (unknown photographer); (3) Daniel Maclise, Lawn Before The Duke’s Palace, Orlando About to Engage with Charles the Wrestler (scene from As You Like It), oil on canvas, 1854; (4)  Framed passport photo of F. Scott Fitzgerald inscribed to his Princeton roommate, J. Biggs, "Yours in ironic humor, F. Scott Fitzgerald" and counter-inscribed "Recieved (sic) as given in gentle humor, J. Biggs"; this photograph later served as frontispiece illustration for Fitzgerald's "This Side Of Paradise"; (5) Albrecht Dürer, St. Jerome In His Study, engraving, 1514.