If you want to be a star,
start shining, shine on
But if you’re happy where
you are, stop whining, it’s wrong
I don’t think you
really care, if you’re here or if you’re there
But if you
want to be somewhere
Build your love on one
foundation
Unless you are
prepared to die, don’t try for a star
I don’t think you
really care, if you’re here or if you’re there
But if you
want to be somewhere
Build your love on one
foundation
But if you want to be somewhere
Build your love on one
foundation
But if you want to be
somewhere
Build your love on one
foundation
Note: In Los Angeles afer a long break, the
exhausting schedule we're pursuing will leave us in dire need of another long break. When
Jane saw the eight lanes of facing traffic yesterday on the virtual
parking lot that was Wilshire Boulevard, it freaked her out a little, but
also inpired her to capture it for future
reference. Tomorrow Burbank's scalding plains, the
next day . . . Burbank's scalding plains. But since the blog
next door seems to be stuck in a permanent PLO meeting, I'm hoping you like this and find it pleasantly diverting.
I would have liked to post the original studio version of "Star," which I listened to while exercising yesterday, featuring some of Ollie Halsall's best playing, but this live version is fascinating because it really shows why Andy Summers, as fine a musician as he is, wasn't ideally suited to performing Kevin's music. They just didn't mesh. Interesting, I think, to note that the first person who raved to me about The Police, well before the release of their first album, and Andy's role in it was Kevin. He was a very acute and discriminating listener.
The palm trees out here look enfeebled and, I'm sorry to say, on their last legs. The giant fig tree, however, in the courtyard of the big Santa Monica hotel, looks robust.
I would have liked to post the original studio version of "Star," which I listened to while exercising yesterday, featuring some of Ollie Halsall's best playing, but this live version is fascinating because it really shows why Andy Summers, as fine a musician as he is, wasn't ideally suited to performing Kevin's music. They just didn't mesh. Interesting, I think, to note that the first person who raved to me about The Police, well before the release of their first album, and Andy's role in it was Kevin. He was a very acute and discriminating listener.
The palm trees out here look enfeebled and, I'm sorry to say, on their last legs. The giant fig tree, however, in the courtyard of the big Santa Monica hotel, looks robust.
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