For April Bloomfield, the crisp potatoes and caramelized onions called
Potatoes Lyonnaise are "the ultimate home fry."
She was first introduced to them at cooking school in
Birmingham, England. After traveling to France, she perfected this version by adding chopped garlic, lemon juice
and crushed red pepper.
INGREDIENTS:
1.
1 tablespoon unsalted
butter
2.
1 tablespoon extra-virgin
olive oil
3.
2 medium
onions, thinly sliced
4.
Salt
5.
2 baking
potatoes (1 3/4 pounds), peeled and sliced crosswise 1/2 inch thick
6.
1/4 cup rendered duck,
goose or pork fat or melted unsalted butter
7.
1 large garlic clove,
chopped
8.
Freshly ground black
pepper
9.
Pinch of crushed red
pepper
10. 2
teaspoons fresh lemon
juice
11. 2
tablespoons chopped parsley
METHOD:
1.
In a medium saucepan, melt the butter in the olive oil. Add the sliced onions and a large pinch of salt. Cover and cook over
moderate heat, stirring
occasionally, until the onions are very soft and golden, about 20 minutes.
2.
Meanwhile, put the
potato slices in a large saucepan of water, add a large pinch of salt and bring to a boil. Simmer over
moderately high heat until the potatoes are just tender, about 5 minutes. Drain the potatoes and spread the slices in a single
layer on a baking sheet; let
cool to room temperature. Gently pat the potato slices dry.
3.
In a large nonstick skillet, heat the duck fat. Add the
potato slices and cook over
moderately high heat until they are browned and crisp, about 6 minutes on each
side. Add the
chopped garlic and shake it in
the skillet until just golden, about 30 seconds. Add the cooked onions and season them with salt and black pepper. Gently stir in the crushed red pepper
and lemon juice. Transfer the
potatoes and onions to a platter, sprinkle
with the chopped parsley and serve right away.
Note: I was dreaming of potatoes and listening to this song, which I’ve always loved,
and thought
April Bloomfield’s recipe, excerpted from Food & Wine magazine, looked very, very good. The painting, The Sower, is by Jean-François Millet, was painted in 1850-51 and hangs in the Walters Art Museum in Baltimore.
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