‘Then what do you want from life, Netta?’ he asked. ‘What are you getting
at in it all?’
When their
food had come he had ordered wine, and now, if not drunk, he was careless and
bold with drink. Otherwise he would
never have asked her a serious, direct question like that. To ask Netta a serious direct question, in
the ordinary way, was simply to ask for one of those hideous cuts across the
soul she knew so well how to administer.
But now, because of what he had drunk, he felt he could take the cut if
it came. If it hurt, he was
anaesthetized.
They had
finished their meal and were having coffee.
Eddie Carstairs was still at his table in the corner, though most of the
other tables were deserted. There were,
however, three people making a good deal of noise at a table nearby, so he
could speak in a normal voice without being overheard.
‘What do you
mean?’ she said. ‘What do I want from
life?’
‘Just what do you want from it? . . . ‘Do you want to be a
success on the films, do you want to be married, do you want children – what?’
‘I don’t know.’
‘But you
must, Netta. You must know something
about what you want.’
‘No, I don’t,’
she said vaguely, looking at a passing waiter, and speaking as a mother, watching
the screen at a cinema might speak to her talkative child. ‘Do you know what you want?’
‘Yes.
Of course I do. I know what I want.’
‘What?,’ she
said, and looked at him.
He paused
for a moment, reluctant to start anything.
He knew it could lead nowhere, could do him no good. But why shouldn’t he make love to her
once in a way, why shouldn’t he get something back
from the money he was spending, a little
of the luxury of telling her he loved her, of speaking his heart. He hadn’t opened his heart to her for months.
‘I want you, Netta,’ he said, looking into her eyes. ‘That’s all I want.’
‘All
right,’ she said. ‘So what?’
‘What
do you mean,’ he said, ‘So what?’’
‘Just “So what”,’ said Netta, and she was again looking at the
people in the room behind him.
Illustrations:
Top: Alex Katz: Ann Lauterbach, 1978
Bottom: Alex Katz: Pas De Deux (Red Grooms and Lizzy Ross), 1994
Text: Patrick Hamilton, Hangover Square (The Third Part, Chapter 4). London, Constable, 1941.
Oh, I like this, but it sounds a bit dark, as if bad things will follow . . .
ReplyDeleteBad things follow. Hangover Square is quite astonishing. You can read the beginning of Patrick Hamilton's novel here:
ReplyDeletehttp://acravan.blogspot.com/2010/11/foretold-three-incredible-beginnings-of.html
I've posted a number of things by and about Hamilton here. I love his novels and his life story is fascinating in many respects. If you think you're unfamiliar with him, you probably do know him through his plays Gaslight and Rope, which were both filmed and were popular successes. The plays are very different from the novels, however.
Hangover Square was adapted (badly) for film also in the early 1940s. I believe it's being remade. If you're interested, the book is easy to find as a Penguin paperback.
LONG day -- 10 hours driving.
Curtis