Showing posts with label Eugene Atget. Show all posts
Showing posts with label Eugene Atget. Show all posts

Tuesday, May 27, 2014

MIRACLE (PIERRE REVERDY)





      Eyelashes curled 
Mouth silent 
The lights go on
There is nothing there but a name 
     Which has been forgotten 
If the door opens
I won’t dare go in 
      Everything happens back there 
They talk

        And I listen 

My fate is at stake in the next room 




Tête penchée
               Cils recourbés
Bouche muette
Les lampes sont allumées
Il n’y a plus qu’un nom
        Que l’on a oublié
La porte se serait ouverte
Et je n’oserais pas entrer
       Tout ce qui se passe derrière
On parle

          Et je peux écouter

Mon sort était en jeu 
          dans la pièce à côté





Translation by Kenneth Rexroth 

 

Friday, July 13, 2012

LOVE THEY KEPT CRYING (RENGA)






Love they kept crying love swiftness
already at rest     love the unmoving
in full flight --- the gravity of speed:
Half of the water grew dark     half
of the air     a black round entered the water
and night was half a lake:

And love, a command no more, to each one
the way lies clear through the comity of vine, of stone:
(through places that are years, before lit-up show windows
which are dialogues split-off from montage:  you return, once
     more, by the rue du
Dragon, you come down your stairs: )








From Renga, A Chain of Poems by Octavio Paz, Jacques Roubaud, Eduardo Sanguinetti, Charles Tomlinson (translations by Charles Tomlinson).  New York, George Braziller, 1971.

Top illustration:  Dora Maar, The Pretender, Photo-collage, 1936.

Bottom illustration: Eugene Atget, Staircase, ca. 1900-1910.

Sunday, October 23, 2011

La Chansonette








        Planning anything, with the sole, small, chance exception of total confusion, was impossible.  

        Idea kleptomania and virtual murder seethed from the third and fourth floors.

        Pigs I like enormously.  For that reason, I won't say the malefactors were "raised in a sty." 

        I'm trying to communicate clearly here in order to avoid total confusion, which I abhor in the same way nature abhors a vacuum.









Key:

1. Eugène Atget, Impasse de la Baudorie, Rue de Venise, Paris, 1890. Vintage albumen print, 22.2 x 17.9 cms.

2. Eugène Atget, Ancien Hotel de Jumilhac 12, rue de l'Abbe Gregoire, 1905. Vintage albumen print, 21.8 x 17.5 cms

3.  La Chansonette -- Yves Montand performance at l'Olympia, Paris (Link)