Gonbad-e Qabud, Maragha, NW Iran (Robert Byron photograph)
Maragha (4,900 ft.), October 16th. – We drove here this morning in four hours, through country that reminded me of Donegal. Lake Urmiya appeared in the distance, a streak of blue and silver, with mountains beyond. Square pigeon towers, perforated at the top, gave the villages a fortified appearance. Round about were vineyards, and groves of sanjuk [1] trees, which have narrow grey leaves and clusters of small yellow fruit.
Gonbad-e Qabud, Maragha, NW Iran (Robert Byron photograph)
Maragha itself is not attractive. Broad straight streets have been cut through the old bazaars, and take away its character. A Persian-speaking infant adorned with eyelashes as long as ospreys conducted us to the necessary officials, and these in turn showed us a fine grave of the Mother of Hulagu and is built of plum-red brick arranged in patterns and inscriptions. The effect of this cosy old material, transferred as it were from an English kitchen-garden to the service of Koranic texts, and inlaid with glistening blue, is surprisingly beautiful. There is a Kufic frieze inside, below which the walls have been lined with nesting-holes for pigeons.
[1] So called by the local Turks; Persian: sinjid; a relation of the English service tree.
From: Robert Byron, The Road To Oxiana, London, Jonathan Cape, 1937.
Robert Byron (seated left) and (human and boar) dining companions.
Take Me Away -- Roger McGuinn (Link)
On The Map -- Ray Davies (Link)
Absolutely Sweet Marie -- Jason and the Scorchers (Link)
“After his lengthy analysis of the pattern on the Gonbad-e Qabud, Makovicky concludes that it is “[b]ased on tiles that can readily be obtained by transformation of the Penrose pattern of pentagons, stars, and lozenges. It deviates from a true cartwheel Penrose tiling only in several geometric and artistic adaptations.”
NOTE:
Back-To-School (today!) takes you so many places, I think.
Safe travels, everyone.
Write, please, if possible, soon, on that great, onion-skin airmail paper!
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