Showing posts with label Ganesh. Show all posts
Showing posts with label Ganesh. Show all posts

Saturday, August 24, 2013

MOUSE (FROM THE DICTIONARY)






mouse.  The smallest of all beasts; a little animal haunting houses and cornfields, destroyed by cats.
                
The eagle England being in prey,
To her unguarded nest the weazel Scot
Comes sneaking, and so sucks her princely      eggs;
Playing the mouse in the absence of the cat.   

                --  Shakespeare.






[1] Albrecht Dürer, Adam and Eve (detail), 1504, engraving.

[2] Ganesh sits affectionately with his vahana, Mushika, the giant mouse (carved and painted ivory plaque, later 1900's).

[3]  Once, a long time ago, mice terrified me, but I was so much older then, I’m younger than that now.  I learned that they were lovely creatures and what came to terrify me was the regular, horrifying occurrence of one of my cats, doing what comes naturally to them: pouncing, eviscerating, etc., one of these dear creatures and leaving the remains for me (to find first thing in the morning) as a sort of heavily-broken-in-prize-toy.  I can hardly blame Rose and Pansy, both American short-hairs, for pursuing what has been their family trade since long before the Pilgrims brought them to America on the Mayflower as onboard exterminators.  But they really didn’t need to train Claude, the pansy-faced Persian, in the art/craft.  I suppose they were simply making him feel one of the family.  Because we live in a country house, we sometimes have mice.  We try to find them before the cats do and protect them by removing them from harm’s way.  The fact that Claude doesn’t see as well as he used to doesn’t slow him down at all.  He may look cherubic, and he’s as soft and cuddly as can be, but he’s a mighty male and using his other senses, he participates in world events with a fierce understanding of cause and effect, truth and consequences. 

[4]  “Mouse” definition from Johnson’s Dictionary, A Modern Selection by E.L. McAdam, Jr. & George Milne, New York, Pantheon Books, 1963.



Friday, March 25, 2011

Thalia (άλεια) and Ganesh (गणेश)






Thalia


        Thalia and Ganesh keep me company in my Tuxedo Park office.

        They arrived together in boxes sent from the Metropolitan Museum of Art gift shop years ago and have been with me ever since, throughout days and nights, in light and heavy weather, unchanging.

        To some extent, their constancy, serenity and good cheer have preserved me (although I don't look half as good as they do).

         Like Jane's favorite stuffed animal, Tiger (born in China and returned to China to bring Jane home), they guard the house and are precious and eternal.

         All manner of good news and bad news -- Princess Diana's shocking car crash; Roxy Music's reunion; September 11th;  jobs becoming former jobs and new jobs replacing them; hurricanes, tsunamis and local politics; War and Rumours of war -- arriving at any time in the Day or Night:

          Thalia and Ganesh learn everything first chez nous and they listen intently to the Tuxedo forest sounds every night, unlike I, unfazed.






Ganesh 


Reader Notes:

Thalia: "the joyous, the flourishing" (from Ancient Greek: θάλλειν, thállein; "to flourish, to be verdant") was the muse who presided over comedy and idyllic poetry. In this context, her name means “flourishing,” because the praises in her songs flourish through time. She was the daughter of Zeus and Mnemosyne, the eighth-born of the nine Muses.

According to pseudo-Apollodorus, she and Apollo were the parents of the Corybantes, Other ancient sources, however, gave the Corybantes different parents.

She was portrayed as a young woman with a joyous air, crowned with ivy, wearing boots and holding a comic mask in her hand. Many of her statues also hold a bugle, a trumpet (both used to support the actors' voices in ancient comedy), a shepherd’s staff, or a wreath of ivy.

Ganesh:  also spelled Ganesa or Ganesha, also known as Ganapati, Vinayaka, and Pillaiyar, is one of the deities best-known and most widely worshipped in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations. Devotion to Ganesh is widely diffused and extends to Jains, Buddhists, and beyond India.

Although he is known by many other attributes, Ganesh's elephant head makes him easy to identify. Ganesh is widely revered as the Remover of Obstacles and more generally as Lord of Beginnings and Lord of Obstacles, patron of arts and sciences, and the deva of intellect and wisdom.  He is honored at the beginning of rituals and ceremonies and invoked as Patron of Letters during writing sessions.

Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.

Ganesh emerged a distinct deity in clearly recognizable form in the 4th and 5th centuries CE, during the Gupta Period, although he inherited traits from Vedic and pre-Vedic precursors.His popularity rose quickly, and he was formally included among the five primary deities of Smartism (a Hindu denomination) in the 9th century. A sect of devotees called the Ganapatya, who identified Ganesha as the supreme deity, arose during this period.  The principal scriptures dedicated to Ganesh are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.  In his praise the Ganesha Chalisa is sung.



Photographic credit: Jane Butler Roberts, Strange Phase Studios, Tuxedo Park, NY; Berwyn, PA; Bangalore India