With Care From Someone: Douglas Dillard (1937-2012)

Doug Dillard



And maybe we'll find
This time is designed
For finding the meaning of one

And now we will know
What love will show us has begun
So here's to you
With care from someone

  ----- With Care From Someone (Clark, Leadon, Dillard) 



    I was sorry to learn that Doug Dillard passed away last week but very, very grateful that he passed through in the first place.


        I first heard Doug play in his family group, The Dillards, but was  completely unprepared for the art-apotheosis of The Fantastic Expedition of Dillard & Clark, his brilliant 1968 collaboration lp with ex-Byrd Gene Clark, when Elizabeth Jeffords first played me the disc in Gunn dormitory.  It has been a musical and poetic touchstone for me ever since, one I turn to almost every day. 

Fantastic Expedition
 

   Like so many revolutionary-seeming art breakthroughs (I can’t think of another record that sounds like it or shares its unusual palette of instruments) , Dillard & Clark’s first record reflected style-shift probabilities that were already in the air, but the album surpassed other worthy competition in quality and remains a timeless/spaceless artifact that eventually will fascinate post-Armageddon visitors to our planet, convincing them as they shift through the rubble that Earthlings once had something going for them, however improbable that seems at this Euro-broke/Beyoncé moment. 

Through The Morning, Through The Night (Second Dillard & Clark lp) Acetate, 1969, photograph Whin Oppice.



     Too often Gene Clark discussion focuses on his lyrics’ unique poetic projections and too seldom on the music which frames the words.  Nothing in Clark's work can match "Fantastic Expedition's" sonic gyroscopics, with Doug Dillard’s bluegrass mini-orchestra (comprising Bernie Leadon, David Jackson, Andy Belling , Chris Hillman, Jon Corneal, and Dillard’s own banjo, guitar and fiddle) perfectly jacketing Gene’s autumn-all-the-time melodies with constant filigrees and vari-speedy rhythms. 

   The songs wear their music like sleek and slippery coats of closely-woven chain mail or Islamic tilework calligraphy at Tabriz's Blue Mosque.
 
     A masterpiece of tensegrity, the work recalls William Faulkner’s  image of  a “miniature replica of all the whole vast globy earth …. poised on the nose of a trained seal.” 
 
 Like all the great records of its era (and unlike almost anything on today's hit parade), “Fantastic Expedition” takes you on a magical mystery tour.

   Douglas Dillard produced mountains of superb work during his long career and led a colorful life which ended much too soon.  (Although he wasn’t a young man when he passed away, it gives unhappy pause to think of him dying only two months after his mentor Earl Scruggs, who lived much longer.)   

Doug and Gene playing with The Dillards



   My other favorite Doug Dillard performance dates from his brief membership in the post--“Sweetheart Of The Rodeo” Byrds as part of their Summer 1968 European touring outfit.  The rare Byrds recording from Rome’s La Dolce Vita-land Piper Club is wondrous.   

      Playing old folk-rock hits and new country material to a dancing audience , Dillard stuns playing absolutely furious banjo, challenging Roger McGuinn, Chris Hillman, Gram Parsons and Kevin Kelley to keep up with him as he electro-banjo speeds perfectly through “I’ll Feel A Whole Lot Better.”   


  The group’s breathtaking performance cuts through the crude recording quality, creating yet another artifact to impress and enlighten our future Martian visitors about the “pre-merch” Earth era  when real musicians played real instruments and concert tickets were easy to purchase and also affordable. 

The Byrds, Europe Summer 1968 (l-r, Doug Dillard, Chris Hillman, Roger McGuinn, Kevin Kelley, Gram Parsons)



Thank you, Doug.  Thank you Doug SO MUCH.



Someone is speaking of time now to gain
The voice cryin' be I am bound
Life is undyin' yet somebody weeps
The season declares its own sound
Encirclin' my mind
These worlds that I find
Tell me why
Tell me what shall I seek that shall be found

Now as the waters of mornings will fall
The wind is set free to demand
And orbit of distance inclusive of all
To know there is space to expand
These things that I see
These things that are me
Tell me why
Tell me where do I fit in the plan

These things that I see
These things that are me
Tell me why
Tell me where do I fit in the plan

 ------In The Plan (Clark, Leadon, Dillard) 



Doug Dillard LA Times 5-18-12 (link) 

Doug Dillard Chronology (link)

Dillard & Clark: With Care From Someone (link)

Dillard & Clark: Train Leaves Here This Morning and In The Plan (link)

The Byrds featuring Doug Dillard: I'll Feel A Whole Lot Better (Live At Piper Club, Rome, May 1968) (link) 

Note:  Gene Clark expert and collector Whin Oppice writes that:  "We are always looking for unreleased Gene recordings for our next Symposium. Be sure to scroll down to the March 6, 2012 post where the first Symposium is reviewed by three of our attendees or as we call ourselves Symposiumeers."  Whin asks (and I recommend) that readers visit the Gene Clark Symposium Facebook page HERE (link).

Gene Clark and Doug Dillard

Artifact for Martians from 1966

BEER HERE OPENS IN NYC

See HERE.


Also: HERE

THE BOWMORE TRILOGY: LIVE FROM THE EDGE OF THE EUROZONE

The Bowmore Trilogy, 1964 (lot 271). Photo: Christie's Images Ltd 2012.


LONDON.- Christie’s announced the extraordinary opportunity to purchase a bottle of the rarest Glenfiddich ever released. Bottle no’42 of 61 from the Glenfiddich Rare Collection, distilled in 1937 and bottled in 2001 is offered from the collection of an Anonymous Private Collector (estimate: £50,000-70,000). The bottle leads Christie’s auction of Fine and Rare Wines Including Rare Spirits, which will be held in London on 7 June 2012 at 10.30am. Chris Munro, Head of Wine, Christie’s London commented, “We are very excited to be able to offer our clients the opportunity to bid for such a rare whisky in our June auction. The already global collecting base within the whisky market continues to grow, with a great deal of crossover from our established wine buyers, and I’ve no doubt this bottle will invite a flurry of interest from collectors both old and new.”

Bowmore, Main Street 



    In 1937, cask 843 was filled with spirit from the stills at The Glenfiddich distillery in Dufftown and laid down in a dark, damp dunnage warehouse to mature and develop. It was discovered to be an unusually slow-maturing whisky and over its life ten consecutive warehouse masters patiently watched over cask 843 and frequently nosed and tasted the whisky, noting its development. After 64 years, the longest time a single malt whisky had remained in cask at that time, in October 2001, Glenfiddich's Malt Master David Stewart declared that cask 843 was finally ready to be bottled. Just sixty-one bottles were left in the cask, of which the present example is bottle forty-two. *The world record price for a bottle of whisky sold at auction was achieved when a bottle of Glenfiddich Janet Sheed Roberts Reserve was sold at a charity sale in New York for 94,000 US dollars (£59,335). 

    A unique Lalique crystal decanter, made to celebrate the anniversary of René Lalique’s birth and filled with 64-year-old Macallan, holds the highest price for whisky sold at auction, fetching $460,000 for charity in November 2010. Also on offer is The Bowmore Trilogy, 1964 (estimate: £12,000-15,000) which comprises a Black, White and Gold bottle, each aged in oak cask, in pristine condition and within a presentation gift box. In 1964, the Bowmore distillery began utilizing steampowered stills rather than the original coal-fired units, which enabled more precise temperature control, and resulted in much smoother and more consistent spirits. It is from those stills that this particular trilogy was born, with each of the three colours, Black Bowmore, White Bowmore, and now Gold Bowmore, coming from the same year. 

Bowmore Round Church 



   In 2007, just 827 bottles were produced of Black Bowmore which had been matured purely in Oloroso casks for an ebony colour that was matched by aromas of exotic fruits, ginger, and cinnamon. White Bowmore followed in 2008 with only 732 bottles produced, and was characterized by maturation in Bourbon casks, and scents of melon, mango, and papaya. In 2009, Gold Bowmore joined the group, with only 701 bottles available worldwide. Gold Bowmore was placed in three Bourbon casks and one Oloroso sherry cask before being meticulously blended together. This precious expression quietly matured below sea level for 44 years in the Number 1 vault, allowing the namesake rich, gold colour to develop, along with a balance of complex aromas and flavours including those of exotic fruits, creamy vanilla, and gentle peat smoke. Further whisky highlights on offer within the auction include Glenfiddich Private Reserve 1955 (estimate: £8,000-12,000) and The Macallan Select Reserve 52 year old (estimate: £5,000-6,000).




NOTE:  As much as I enjoy Scotch whisky (both single malts and fine blends) and dislike raining on anyone's parade, there is something disturbing about the commerce described here and the preciousness of the aesthetics on display.  Both seem out of synch with the energetic, salty greatness of the whisky-makers' art and craft and the rough but fine Scottish spirit.

Ialso find the vague diffidence of auctioneer Chris Munroe’s remarks curious -- almost funereal.  

It's as though he, like everyone else, is simply counting down the Eurozone crisis and proposing that, if the world can survive until at least June 7,  there would be worse (far worse) ways to spend time than attending his whisky auction in London to witness the purchase of some pretty bottles with an interesting story that will never ever be opened, but instead sensibly laid away as a financial hedge until the next crisis. 

An after-excursion north to Bowmore in Islay would be Divine -- just look at the skies there!


How on earth did Europe allow this to happen? – do it to themselves? – and the rest of us?

  


Bowmore Distillery